pentatonic sequences pdf

If you know or look at scale patterns, you can easily come up with sequences for any scale. In Once I knew what I triplet really was I noticed them in many other rock and metal songs. For example, over Eb7 he will play Db, G, C and then switch to 4th’s built on the root (Eb, Ab, Db): The tritone interval in the augmented 4th (Db to G) creates more tension while the perfect 4ths are an open sound that don’t require resolution. But also in a lot of blues solos, usually played with hammer-ons and pull-offs. that I first played Db's main triad in sequence followed by Bb's minor triad before he tackles the fifth (G) cmaj7. Without the harmonic pull of leading tones or the rigid structure of tertian harmony, every note is essentially equal in relation to the harmony. Also, practicing sequences is one of the most powerful guitar exercises when it comes to improving technicality. Well, this concept goes back to the bebop reharmonization technique of approaching the V7 chord as the related minor ii chord, for example thinking F- over Bb7: You can also think of that static dominant chord as the related ii-V7. The Dorian Mode is a minor type of scale. Pentatonic Scale Sequence Using Groups of 3 Notes. /AIS false Here are Six Solos that You Should Know... How to Play the Blues Like a Pro: A Lesson with Wynton Kelly, The Secret to Unlocking the Lydian Sound: From Boring Modes to Killing Solos, How One Note Can Change Your Ears and Spark Your Creativity, Turn on a play-a-long and practice applying these scales over the dominant chords in your solo, Go to the piano/keyboard and practice these different, Take a pentatonic scale and play every other note (like a major scale in 3rds) noticing the inherent intervallic structure, for instance with the, Try different groupings and changing direction, Or find a pattern that McCoy uses and start by imitating it, learning it in. (�f�y�$ ����؍v��3����S}B�2E�����َ_>������.S, �'��5ܠo���������}��ز�y���������� ����Ǻ�G���l�a���|��-�/ ����B����QR3��)���H&�ƃ�s��.��_�l�&bS�#/�/^��� �|a����ܚ�����TR��,54�Oj��аS��N- �\�\����GRX�����G�����‡�r]=��i$ 溻w����ZM[�X�H�J_i��!TaOi�0��W��06E��rc 7|U%���b~8zJ��7�T ���v�������K������OŻ|I�NO:�"���gI]��̇�*^��� @�-�5m>l~=U4!�fO�ﵽ�w賔��ٛ�/�?�L���'W��ӣ�_��Ln�eU�HER `�����p�WL�=�k}m���������=���w�s����]�֨�]. And today we’re going look at 3 creative ways McCoy Tyner uses the pentatonic scale on the blues…. Pentatonic scale patterns, sometimes referred to as sequences, are one of the best things you can practice to gain more command of the pentatonic scale. � �l%��Ž��� �W��H* �=BR d�J:::�� �$ @H* �,�T Y � �@R d�� �I �� McCoy often plays the root and 5th of a chord in his left hand, creating a pedal point for his 4th voicings and improvised lines. This example is funkier and “breaks” that linear sound of the scale. If you do please let me know and I might add it do this post. It consists of playing a group of three notes before moving to the next scale degree. Start by taking one fragment into the practice room and exploring the different possibilities in all 12 keys. In this exercise we play our major pentatonic scale over the entire range of our instrument up and back down again. /Subtype /Image McCoy’s left hand is central to the lines he plays in his right, both rhythmically and harmonically. To begin, let’s take a look at how he approaches dominant chords with a minor pentatonic scale built from the root. How to play the minor pentatonic scale on guitar? McCoy Tyner was a master of creating harmonic tension and release within his own solos and the harmonic textures he provided behind other soloists. No pianist has influenced the modern approach to jazz piano more than McCoy Tyner. /Producer (�� Q t 4 . Click the lovely button below to get started. Pentatonic Scale Patterns Welcome to lesson 2. You can also play groups of four notes like this: 1234,2345,3456,4567,5678. Lesson 2. You can get more diagrams in the tuning … x����_w��q����h���zΞ=u۪@/����t-�崮gw�=�����RK�Rl�¶Z����@�(� �E @�B.�����|�0�L� ��~>��>�L&C}��;3���lV�U���t:�V{ |�\R4)�P�����ݻw鋑�������: ���JeU��������F��8 �D��hR:YU)�v��&����) ��P:YU)�4Q��t�5�v�� `���RF)�4Qe�#a� >> Those iconic 4th and 5th voicings that you hear are perfectly suited for the pentatonic and intervallic lines he plays on top. /Title (�� P e n t a t o n i c a r p e g g i o s p d f) /CreationDate (D:20201001164111+03'00') << In this lesson on the pentatonic scale you will learn about patterns and their importance as you continue on the path to learn guitar. It goes up and down the scale. Unlike the whole and half-step sequence of the major scale, the five notes of the pentatonic scale naturally lend themselves to leaps of minor 3rds, 4ths and 5ths. /SM 0.02 Here is a video that shows how to play the pentatonic scale in its 1st position across the guitar neck and how to … Major Pentatonic Scale - 14 Position System; Major Scale 14 Position System - MultiScales.pdf; Important Scale Sequences ; C Major 3 note Scale Sequences - Notation & TAB; G Major 4 note Scale Sequences - Notation & TAB; G Major Scale - Scale Sequences 1 - Grids; G Major Scale - Scale Sequences 2 - Grids ; Melodic Minor 14 Position System Most importantly, they are very useful when improvising and give you a more diversified vocabulary than simply picking from your good old “bag of licks”. This book is intended to serve as a poin t of departure for the study of pentatonic scales. 4 0 obj,, Check out how McCoy plays a quartal pattern based on the Bb minor pentatonic scale: And study how he uses scale patterns, fragments, shapes, and sequences to create melodic interest with the pentatonic scale. Check your inbox or spam folder to confirm your subscription. Byron Santo's Pentatonic Note Sequence Grimoirium is the most comprehensive collection of Pentatonic Note Sequences ever assembled for the modern bassist. And one distinctive element of his approach to improvising is his creative use of the pentatonic scale. From players like Chick Corea and Mulgrew Miller to non-pianists like Woody Shaw and Michael Brecker, McCoy has left his mark on generations of serious improvisers. They were all over the place in Metallica solos and I learned a lot of them. /ca 1.0 %PDF-1.4 The movements on the fingering hand are limited, most of the speed is achieved using the right hand. >> The example shown above is just a glimpse of what you can do with sequencing. A-minor pentatonic is a reasonable starting place with the minor pentatonic scale and has the 5th, 7th, 9th, 12th, and 14th fret respectively as the first fret on the different positions. The line below is a great example of how to combine these concepts musically: There are multiple techniques to be learned from each of these pentatonic lines. This one is a great workout for the picking hand since it is responsible for most of the work. Required fields are marked *, Join to get my latest content delivered to your inbox, Copyright 2017 - All Rights Reserved to Guitar Endeavor. The scale choice for the G7al is Db maor or Bb minor pentatonic. I would highly recommend that you practice both the major, minor and pentatonic. It’s an A minor pentatonic scale sequence using both hammer-ons and […], Your email address will not be published. Here’s another example that starts on the 5th note of the Bb minor pentatonic scale: The second way McCoy uses the pentatonic scale in this solo is from the 5th of the V7 chord. When playing this one, I like to accent the degree change, I find it gives it more dynamics. However, one scale that many players don’t think about on V7 chords is the minor pentatonic scale. This results in skipping notes before going back to the next degree. Copyright ©2020 Jazzadvice, All rights reserved,,,,,,,,,,,,, 5 Secrets for Mastering the Altered Scale.

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