Dawn Porter is an American documentary filmmaker and founder of production company Trilogy Films. “The frustration of not having enough power is what drove me forward,” Liang said.
“Whether or not you have the money to pay people in full, you should have stuff on paper. Click here to read our Fall 2020 issue, featuring this year’s 25 New Faces of Independent Film, Steven Soderbergh on Let Them All Talk and more... by Matt Prigge in Festivals & Events Even when she got a large grant, it wasn’t the size of her previous income, but it was enough that she felt she was honoring her husband and family. “You should really formalize relationships right away,” Liang said.
It’s really important for this community to have screentime, to unpack some of those ideas and stereotypes with faces. The three filmmakers who participated in the IFP Week 2020 panel “Blurring the Lines of Storytelling: How Do I Get My Story Out,” moderated by journalist, author and philanthropist Soledad O’Brien, know that all too well. Then you won’t be able to pursue your art or pay your bills. The News & Documentary … on Sep 20, 2020, Dawn Porter, Garrett Bradley, IFP Week 2020, Soledad O'Brien, Ursula Liang. That is not a good place to be.”, Sometimes Liang worries that there simply isn’t enough money to make her story into a movie. Yahoo is part of Verizon Media. “Every time I think about how much money I have to suffer without or would have to raise to make a film, I think, ‘Oh my god, podcasting would be so much easier,” Liang said. But she had to fight for that success. Porter was lucky to be insured through her husband, but she recommends seeking out other options if you’re an indie filmmaker without such means. “I already have a Zoom, I could go out and do it, and it would be so much cheaper to do a podcast.” But her last two features have been about the Asian-American community. “The reason I’m an independent filmmaker is that no one at ABC News would hire me to be a storyteller. In 2009, she also co-executive produced two other films: Serious Moonlight, and What Would Darwin Think? The film also won the Ridenhour Award for best documentary film in 2014. She said it “was no accident” that all three independent panelists — the other being director and producer Garrett Bradley” — were women of color. We had to find a way to make sure those things aren’t lost in the process.”, When you work for yourself, you’re also a boss.
They’ll benefit from being able to see faces, to hear voices with regional American accents, to see different body types. “In this Zoom age you can become a kind of chat whore,” Liang said. She found it limiting. NEW YORK, SEPTEMBER 17, 2020 – The hosts and presenters for the 41 th Annual News and Documentary Emmy ® Awards were announced today by The National Academy of Television Arts & Sciences (NATAS).
Porter is a graduate of the Bronx High School of Science, Swarthmore College (in 1988) and Georgetown University Law School. You can change your choices at any time by visiting Your Privacy Controls.
See more ideas about Dawn o'porter, Dawn porter, Dawn. The way I do it takes much longer.”, Then there’s distribution. They’re all independent, free agents who may team up with a corporate monolith now and then but make their own paths. Porter's second film project was Spies of Mississippi, which debuted on PBS in 2014. “It’s so often that there are no spaces for us.”, Being independent often requires patience. Even if you’re your own boss, you’re also your own employee, and you need to earn a living. So I did it in stages.” First she went part-time, focusing her energy on developing contracts and getting grants. Because even with friends, things get complicated.” Liang knows that sometimes you can’t pay people right away — that you may have to wait for more money to come in, for the budget to be finalized. “There are 100 people on this call right now and everyone can connect over chat.” She says she was on another panel a few days before where she screengrabbed an interesting project a stranger was working on, planning to follow up to see how it was progressing. Jan 16, 2019 - Explore Tom Chance's board "Dawn O'Porter", followed by 122 people on Pinterest. Garrett Bradley’s new doc Time, which follows a woman fighting to free her incarcerated husband, was picked up at Amazon thanks to producer Ted Hope, but she knew she had to work closely with the company to ensure they distributed it in a way she liked. Trained as an attorney, she became a filmmaker and financed her first film with assistance from the Ford Foundation.. BTL: You had the same editor on both movies, so she must have been kept pretty busy. “That was not a story I would have been able to tell with my levels of experience and power within that organization. There’s so little representation that every little bit helps.”, There’s also a super-sized elephant in the room, especially noticeable because IFP Week 2020 panels are all being done remotely, over Zoom: The pandemic has completely changed how filmmaking is done. “That’s a community that doesn’t have a lot of representation onscreen. Early life. Her first feature post-ESPN, 2014’s 9-Man, was about a tiny streetball tournament in NYC’s Chinatown.
In a new documentary, “The Way I See It,” (airing on MSNBC on Oct. Katy Tur, MSNBC Anchor & NBC News Correspondent and Tony Dokoupil, “CBS This Morning” Co-Host, Anchor the First of Two Ceremonies. Porter started her film career by working as executive producer for various films.  Gideon’s Army premiered on HBO in July 2013, and was later nominated for an Emmy Award, and an Independent Spirit Award for Best Documentary Feature. “I was not in a position to give up my steady income. Dawn Porter on Trusting Her Gut, Working With Oprah, and Giving Up Law to Make Documentaries Caitlin Brody 1 day ago. When she made the decision to go independent, she didn’t do it right away. Dawn Porter is doing well now; she directed two major docs released this year: John Lewis: Good Trouble and The Way I See It, about former White House photographer Pete Souza. But she had to fight for that success. filmmaker Dawn Porter brings Souza’s work to life, drawing a line from his days capturing Reagan to following Obama, reminding us of the dignity and grace that once served 1600 Pennsylvania Avenue.
We actually respond, as human beings, to nuance. “Jump in there and communicate with each other in any way you can in this weird time.”, Click here to read our Fall 2020 issue, featuring this year’s 25 New Faces of Independent Film, Steven Soderbergh on. Before she went indie, Ursula Liang, a director and producer whose documentary Down a Dark Stairwell played this year’s True/False, had a cushy job. Dawn Porter is doing well now; she directed two major docs released this year: John Lewis: Good Trouble and The Way I See It, about former White House photographer Pete Souza. “I know, for me, it’s going to take a long time to raise the money, that I’ll have to work on it for several years. Indeed, IFP Week Zoom panels have chat rooms, where participants can meet and greet and share info. Information about your device and internet connection, including your IP address, Browsing and search activity while using Verizon Media websites and apps.
That’s been interesting finding that balance between our perception of what’s universal, what’s marketable, and also understanding the reality of us being nuanced human beings. On one hand, you have the freedom to do what you want, unencumbered by restrictive bosses.  Porter says she decided it was her duty to make this film, after witnessing there was only one abortion clinic in the entire state of Mississippi. She was born in Alexandria, Scotland, but raised in Guernsey. Those things were invaluable.”, But not everyone is lucky enough to land a swanky corporate gig. “I definitely don’t recommend doing it the way I do it,” Liang said, saying she has to wait for things like funding and finding the right collaborators. It shows the impact of anti-abortion laws on abortion providers in the South along with chronicling the last remaining abortion clinic in Mississippi. In 2009, she executive-produced director Jon Bowermaster's Terra Antarctica, Re-Discovering the Seventh Continent, a 49-minute documentary exploring the Antarctica Peninsula and its evolution. But even though people meet IRL or schmooze in rooms, that doesn’t mean networking has to end. And don’t forget to pay yourself, advised Bradley.
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